{"id":19,"date":"2022-10-04T19:40:20","date_gmt":"2022-10-04T19:40:20","guid":{"rendered":"https:\/\/heritagelab.center\/?page_id=19"},"modified":"2024-03-12T18:37:39","modified_gmt":"2024-03-12T18:37:39","slug":"research","status":"publish","type":"page","link":"https:\/\/heritagelab.center\/index.php\/research\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<p>The HeritageLab researchers bring together research data from multiple heritage sites to connect landscapes and reveal deeper heritage narratives. Together, these data offer a broader vision of research outputs.<\/p>\n\n\n\n<p>The members of HeritageLab research and publish in various venues, from academic presses to commercial magazines and blogs. Below is a selection of more recent publications. The team includes academics, essayists, and journalists.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div  class=\"wp-block-ultimate-post-post-grid-2 ultp-block-39b9ae\"><div class=\"ultp-block-wrapper\"><div class=\"ultp-loading\"><div class=\"ultp-loading-blocks\" style=\"width:100%;height:100%;\"><div style=\"left: 0;top: 0;animation-delay:0s;\"><\/div><div style=\"left: 21px;top: 0;animation-delay:0.125s;\"><\/div><div style=\"left: 42px;top: 0;animation-delay:0.25s;\"><\/div><div style=\"left: 0;top: 21px;animation-delay:0.875s;\"><\/div><div style=\"left: 42px;top: 21px;animation-delay:0.375s;\"><\/div><div style=\"left: 0;top: 42px;animation-delay:0.75s;\"><\/div><div style=\"left: 42px;top: 42px;animation-delay:0.625s;\"><\/div><div style=\"left: 21px;top: 42px;animation-delay:0.5s;\"><\/div><\/div><\/div><div class=\"ultp-heading-filter\"><div class=\"ultp-heading-filter-in\"><div class=\"ultp-heading-wrap ultp-heading-style9 ultp-heading-left\"><h2 class=\"ultp-heading-inner\"><span>Books<\/span><\/h2><\/div><\/div><\/div><div class=\"ultp-block-items-wrap ultp-block-row\"><div class=\"ultp-block-item post-id-2189\"><div class=\"ultp-block-content-wrap ultp-block-content-overlay\"><div class=\"ultp-block-image ultp-block-image-zoomOut ultp-block-image-overlay ultp-block-image-simgleGradient\"><a href=\"https:\/\/heritagelab.center\/index.php\/2024\/02\/27\/the-doppelganger-in-our-time-visions-of-alterity-in-literature-visual-culture-and-new-media-peter-lang-academic-publishers-uk\/\" ><img decoding=\"async\"  alt=\"The Doppelg\u00e4nger in Our Time: Visions of Alterity in Literature, Visual Culture, and New Media. Peter Lang Academic Publishers UK\"  src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cover-book-Cropped-870x570.png\" \/><\/a><\/div><div class=\"ultp-block-content ultp-block-content-bottomPosition\"><div class=\"ultp-block-content-inner\"><h3 class=\"ultp-block-title \"><a href=\"https:\/\/heritagelab.center\/index.php\/2024\/02\/27\/the-doppelganger-in-our-time-visions-of-alterity-in-literature-visual-culture-and-new-media-peter-lang-academic-publishers-uk\/\" >The Doppelg\u00e4nger in Our Time: Visions of Alterity in Literature, Visual Culture, and New Media. Peter Lang Academic Publishers UK<\/a><\/h3><div class=\"ultp-block-meta ultp-block-meta-dot ultp-block-meta-icon\"><span class=\"ultp-block-author\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 20\"><path d=\"M18,19 C18,19.5522847 17.5522847,20 17,20 C16.4477153,20 16,19.5522847 16,19 L16,17 C16,15.3431458 14.6568542,14 13,14 L5,14 C3.34314575,14 2,15.3431458 2,17 L2,19 C2,19.5522847 1.55228475,20 1,20 C0.44771525,20 0,19.5522847 0,19 L0,17 C0,14.2385763 2.23857625,12 5,12 L13,12 C15.7614237,12 18,14.2385763 18,17 L18,19 Z M9,10 C6.23857625,10 4,7.76142375 4,5 C4,2.23857625 6.23857625,0 9,0 C11.7614237,0 14,2.23857625 14,5 C14,7.76142375 11.7614237,10 9,10 Z M9,8 C10.6568542,8 12,6.65685425 12,5 C12,3.34314575 10.6568542,2 9,2 C7.34314575,2 6,3.34314575 6,5 C6,6.65685425 7.34314575,8 9,8 Z\"\/><\/svg><a href=\"https:\/\/heritagelab.center\/index.php\/author\/alia\/\">Alia Soliman<\/a><\/span><span class=\"ultp-block-date\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 19\"><path d=\"M4.60069444,4.09375 L3.25,4.09375 C2.47334957,4.09375 1.84375,4.72334957 1.84375,5.5 L1.84375,7.26736111 L16.15625,7.26736111 L16.15625,5.5 C16.15625,4.72334957 15.5266504,4.09375 14.75,4.09375 L13.3993056,4.09375 L13.3993056,4.55555556 C13.3993056,5.02154581 13.0215458,5.39930556 12.5555556,5.39930556 C12.0895653,5.39930556 11.7118056,5.02154581 11.7118056,4.55555556 L11.7118056,4.09375 L6.28819444,4.09375 L6.28819444,4.55555556 C6.28819444,5.02154581 5.9104347,5.39930556 5.44444444,5.39930556 C4.97845419,5.39930556 4.60069444,5.02154581 4.60069444,4.55555556 L4.60069444,4.09375 Z M6.28819444,2.40625 L11.7118056,2.40625 L11.7118056,1 C11.7118056,0.534009742 12.0895653,0.15625 12.5555556,0.15625 C13.0215458,0.15625 13.3993056,0.534009742 13.3993056,1 L13.3993056,2.40625 L14.75,2.40625 C16.4586309,2.40625 17.84375,3.79136906 17.84375,5.5 L17.84375,15.875 C17.84375,17.5836309 16.4586309,18.96875 14.75,18.96875 L3.25,18.96875 C1.54136906,18.96875 0.15625,17.5836309 0.15625,15.875 L0.15625,5.5 C0.15625,3.79136906 1.54136906,2.40625 3.25,2.40625 L4.60069444,2.40625 L4.60069444,1 C4.60069444,0.534009742 4.97845419,0.15625 5.44444444,0.15625 C5.9104347,0.15625 6.28819444,0.534009742 6.28819444,1 L6.28819444,2.40625 Z M1.84375,8.95486111 L1.84375,15.875 C1.84375,16.6516504 2.47334957,17.28125 3.25,17.28125 L14.75,17.28125 C15.5266504,17.28125 16.15625,16.6516504 16.15625,15.875 L16.15625,8.95486111 L1.84375,8.95486111 Z\"\/><\/svg>Feb 27, 2024<\/span><\/div><\/div><\/div><\/div><\/div><div class=\"ultp-block-item post-id-2187\"><div class=\"ultp-block-content-wrap ultp-block-content-overlay\"><div class=\"ultp-block-image ultp-block-image-zoomOut ultp-block-image-overlay ultp-block-image-simgleGradient\"><a href=\"https:\/\/heritagelab.center\/index.php\/2024\/02\/27\/reimagining-the-middle-east-film-and-visual-media-between-the-gulf-arabian-sea-and-indian-ocean\/\" ><img decoding=\"async\"  alt=\"Reimagining the Middle East: Film and Visual Media Between the Gulf, Arabian Sea and Indian Ocean.\"  src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/NYUAD_Events_Post_Feb7_2022-870x570.jpeg\" \/><\/a><\/div><div class=\"ultp-block-content ultp-block-content-bottomPosition\"><div class=\"ultp-block-content-inner\"><h3 class=\"ultp-block-title \"><a href=\"https:\/\/heritagelab.center\/index.php\/2024\/02\/27\/reimagining-the-middle-east-film-and-visual-media-between-the-gulf-arabian-sea-and-indian-ocean\/\" >Reimagining the Middle East: Film and Visual Media Between the Gulf, Arabian Sea and Indian Ocean.<\/a><\/h3><div class=\"ultp-block-meta ultp-block-meta-dot ultp-block-meta-icon\"><span class=\"ultp-block-author\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 20\"><path d=\"M18,19 C18,19.5522847 17.5522847,20 17,20 C16.4477153,20 16,19.5522847 16,19 L16,17 C16,15.3431458 14.6568542,14 13,14 L5,14 C3.34314575,14 2,15.3431458 2,17 L2,19 C2,19.5522847 1.55228475,20 1,20 C0.44771525,20 0,19.5522847 0,19 L0,17 C0,14.2385763 2.23857625,12 5,12 L13,12 C15.7614237,12 18,14.2385763 18,17 L18,19 Z M9,10 C6.23857625,10 4,7.76142375 4,5 C4,2.23857625 6.23857625,0 9,0 C11.7614237,0 14,2.23857625 14,5 C14,7.76142375 11.7614237,10 9,10 Z M9,8 C10.6568542,8 12,6.65685425 12,5 C12,3.34314575 10.6568542,2 9,2 C7.34314575,2 6,3.34314575 6,5 C6,6.65685425 7.34314575,8 9,8 Z\"\/><\/svg><a href=\"https:\/\/heritagelab.center\/index.php\/author\/alia_u\/\">Alia Yunis<\/a><\/span><span class=\"ultp-block-date\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 19\"><path d=\"M4.60069444,4.09375 L3.25,4.09375 C2.47334957,4.09375 1.84375,4.72334957 1.84375,5.5 L1.84375,7.26736111 L16.15625,7.26736111 L16.15625,5.5 C16.15625,4.72334957 15.5266504,4.09375 14.75,4.09375 L13.3993056,4.09375 L13.3993056,4.55555556 C13.3993056,5.02154581 13.0215458,5.39930556 12.5555556,5.39930556 C12.0895653,5.39930556 11.7118056,5.02154581 11.7118056,4.55555556 L11.7118056,4.09375 L6.28819444,4.09375 L6.28819444,4.55555556 C6.28819444,5.02154581 5.9104347,5.39930556 5.44444444,5.39930556 C4.97845419,5.39930556 4.60069444,5.02154581 4.60069444,4.55555556 L4.60069444,4.09375 Z M6.28819444,2.40625 L11.7118056,2.40625 L11.7118056,1 C11.7118056,0.534009742 12.0895653,0.15625 12.5555556,0.15625 C13.0215458,0.15625 13.3993056,0.534009742 13.3993056,1 L13.3993056,2.40625 L14.75,2.40625 C16.4586309,2.40625 17.84375,3.79136906 17.84375,5.5 L17.84375,15.875 C17.84375,17.5836309 16.4586309,18.96875 14.75,18.96875 L3.25,18.96875 C1.54136906,18.96875 0.15625,17.5836309 0.15625,15.875 L0.15625,5.5 C0.15625,3.79136906 1.54136906,2.40625 3.25,2.40625 L4.60069444,2.40625 L4.60069444,1 C4.60069444,0.534009742 4.97845419,0.15625 5.44444444,0.15625 C5.9104347,0.15625 6.28819444,0.534009742 6.28819444,1 L6.28819444,2.40625 Z M1.84375,8.95486111 L1.84375,15.875 C1.84375,16.6516504 2.47334957,17.28125 3.25,17.28125 L14.75,17.28125 C15.5266504,17.28125 16.15625,16.6516504 16.15625,15.875 L16.15625,8.95486111 L1.84375,8.95486111 Z\"\/><\/svg>Feb 27, 2024<\/span><\/div><\/div><\/div><\/div><\/div><div class=\"ultp-block-item post-id-2184\"><div class=\"ultp-block-content-wrap ultp-block-content-overlay\"><div class=\"ultp-block-image ultp-block-image-zoomOut ultp-block-image-overlay ultp-block-image-simgleGradient\"><a href=\"https:\/\/heritagelab.center\/index.php\/2024\/02\/27\/re-emerging-pasts-future-heritage-in-communities\/\" ><img decoding=\"async\"  alt=\"(Re) Emerging Pasts: Future Heritage in Communities\"  src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Reorenting-Book-Cover.jpg\" \/><\/a><\/div><div class=\"ultp-block-content ultp-block-content-bottomPosition\"><div class=\"ultp-block-content-inner\"><h3 class=\"ultp-block-title \"><a href=\"https:\/\/heritagelab.center\/index.php\/2024\/02\/27\/re-emerging-pasts-future-heritage-in-communities\/\" >(Re) Emerging Pasts: Future Heritage in Communities<\/a><\/h3><div class=\"ultp-block-meta ultp-block-meta-dot ultp-block-meta-icon\"><span class=\"ultp-block-author\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 20\"><path d=\"M18,19 C18,19.5522847 17.5522847,20 17,20 C16.4477153,20 16,19.5522847 16,19 L16,17 C16,15.3431458 14.6568542,14 13,14 L5,14 C3.34314575,14 2,15.3431458 2,17 L2,19 C2,19.5522847 1.55228475,20 1,20 C0.44771525,20 0,19.5522847 0,19 L0,17 C0,14.2385763 2.23857625,12 5,12 L13,12 C15.7614237,12 18,14.2385763 18,17 L18,19 Z M9,10 C6.23857625,10 4,7.76142375 4,5 C4,2.23857625 6.23857625,0 9,0 C11.7614237,0 14,2.23857625 14,5 C14,7.76142375 11.7614237,10 9,10 Z M9,8 C10.6568542,8 12,6.65685425 12,5 C12,3.34314575 10.6568542,2 9,2 C7.34314575,2 6,3.34314575 6,5 C6,6.65685425 7.34314575,8 9,8 Z\"\/><\/svg><a href=\"https:\/\/heritagelab.center\/index.php\/author\/alia_u\/\">Alia Yunis<\/a><\/span><span class=\"ultp-block-date\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 19\"><path d=\"M4.60069444,4.09375 L3.25,4.09375 C2.47334957,4.09375 1.84375,4.72334957 1.84375,5.5 L1.84375,7.26736111 L16.15625,7.26736111 L16.15625,5.5 C16.15625,4.72334957 15.5266504,4.09375 14.75,4.09375 L13.3993056,4.09375 L13.3993056,4.55555556 C13.3993056,5.02154581 13.0215458,5.39930556 12.5555556,5.39930556 C12.0895653,5.39930556 11.7118056,5.02154581 11.7118056,4.55555556 L11.7118056,4.09375 L6.28819444,4.09375 L6.28819444,4.55555556 C6.28819444,5.02154581 5.9104347,5.39930556 5.44444444,5.39930556 C4.97845419,5.39930556 4.60069444,5.02154581 4.60069444,4.55555556 L4.60069444,4.09375 Z M6.28819444,2.40625 L11.7118056,2.40625 L11.7118056,1 C11.7118056,0.534009742 12.0895653,0.15625 12.5555556,0.15625 C13.0215458,0.15625 13.3993056,0.534009742 13.3993056,1 L13.3993056,2.40625 L14.75,2.40625 C16.4586309,2.40625 17.84375,3.79136906 17.84375,5.5 L17.84375,15.875 C17.84375,17.5836309 16.4586309,18.96875 14.75,18.96875 L3.25,18.96875 C1.54136906,18.96875 0.15625,17.5836309 0.15625,15.875 L0.15625,5.5 C0.15625,3.79136906 1.54136906,2.40625 3.25,2.40625 L4.60069444,2.40625 L4.60069444,1 C4.60069444,0.534009742 4.97845419,0.15625 5.44444444,0.15625 C5.9104347,0.15625 6.28819444,0.534009742 6.28819444,1 L6.28819444,2.40625 Z M1.84375,8.95486111 L1.84375,15.875 C1.84375,16.6516504 2.47334957,17.28125 3.25,17.28125 L14.75,17.28125 C15.5266504,17.28125 16.15625,16.6516504 16.15625,15.875 L16.15625,8.95486111 L1.84375,8.95486111 Z\"\/><\/svg>Feb 27, 2024<\/span><\/div><\/div><\/div><\/div><\/div><div class=\"ultp-block-item post-id-2191\"><div class=\"ultp-block-content-wrap ultp-block-content-overlay\"><div class=\"ultp-block-image ultp-block-image-zoomOut ultp-block-image-overlay ultp-block-image-simgleGradient\"><a href=\"https:\/\/heritagelab.center\/index.php\/2020\/07\/20\/maritime-and-underwater-cultural-heritage-management-on-the-historic-and-arabian-trade-routes-springer-nature\/\" ><img decoding=\"async\"  alt=\"Maritime and Underwater Cultural Heritage Management on the Historic and Arabian Trade Routes, Springer Nature\"  src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Poster-Tim-Winter_November-02_edit2-e1709038289371-870x570.png\" \/><\/a><\/div><div class=\"ultp-block-content ultp-block-content-bottomPosition\"><div class=\"ultp-block-content-inner\"><h3 class=\"ultp-block-title \"><a href=\"https:\/\/heritagelab.center\/index.php\/2020\/07\/20\/maritime-and-underwater-cultural-heritage-management-on-the-historic-and-arabian-trade-routes-springer-nature\/\" >Maritime and Underwater Cultural Heritage Management on the Historic and Arabian Trade Routes, Springer Nature<\/a><\/h3><div class=\"ultp-block-meta ultp-block-meta-dot ultp-block-meta-icon\"><span class=\"ultp-block-author\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 20\"><path d=\"M18,19 C18,19.5522847 17.5522847,20 17,20 C16.4477153,20 16,19.5522847 16,19 L16,17 C16,15.3431458 14.6568542,14 13,14 L5,14 C3.34314575,14 2,15.3431458 2,17 L2,19 C2,19.5522847 1.55228475,20 1,20 C0.44771525,20 0,19.5522847 0,19 L0,17 C0,14.2385763 2.23857625,12 5,12 L13,12 C15.7614237,12 18,14.2385763 18,17 L18,19 Z M9,10 C6.23857625,10 4,7.76142375 4,5 C4,2.23857625 6.23857625,0 9,0 C11.7614237,0 14,2.23857625 14,5 C14,7.76142375 11.7614237,10 9,10 Z M9,8 C10.6568542,8 12,6.65685425 12,5 C12,3.34314575 10.6568542,2 9,2 C7.34314575,2 6,3.34314575 6,5 C6,6.65685425 7.34314575,8 9,8 Z\"\/><\/svg><a href=\"https:\/\/heritagelab.center\/index.php\/author\/robert\/\">Robert Parthesius<\/a><\/span><span class=\"ultp-block-date\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 19\"><path d=\"M4.60069444,4.09375 L3.25,4.09375 C2.47334957,4.09375 1.84375,4.72334957 1.84375,5.5 L1.84375,7.26736111 L16.15625,7.26736111 L16.15625,5.5 C16.15625,4.72334957 15.5266504,4.09375 14.75,4.09375 L13.3993056,4.09375 L13.3993056,4.55555556 C13.3993056,5.02154581 13.0215458,5.39930556 12.5555556,5.39930556 C12.0895653,5.39930556 11.7118056,5.02154581 11.7118056,4.55555556 L11.7118056,4.09375 L6.28819444,4.09375 L6.28819444,4.55555556 C6.28819444,5.02154581 5.9104347,5.39930556 5.44444444,5.39930556 C4.97845419,5.39930556 4.60069444,5.02154581 4.60069444,4.55555556 L4.60069444,4.09375 Z M6.28819444,2.40625 L11.7118056,2.40625 L11.7118056,1 C11.7118056,0.534009742 12.0895653,0.15625 12.5555556,0.15625 C13.0215458,0.15625 13.3993056,0.534009742 13.3993056,1 L13.3993056,2.40625 L14.75,2.40625 C16.4586309,2.40625 17.84375,3.79136906 17.84375,5.5 L17.84375,15.875 C17.84375,17.5836309 16.4586309,18.96875 14.75,18.96875 L3.25,18.96875 C1.54136906,18.96875 0.15625,17.5836309 0.15625,15.875 L0.15625,5.5 C0.15625,3.79136906 1.54136906,2.40625 3.25,2.40625 L4.60069444,2.40625 L4.60069444,1 C4.60069444,0.534009742 4.97845419,0.15625 5.44444444,0.15625 C5.9104347,0.15625 6.28819444,0.534009742 6.28819444,1 L6.28819444,2.40625 Z M1.84375,8.95486111 L1.84375,15.875 C1.84375,16.6516504 2.47334957,17.28125 3.25,17.28125 L14.75,17.28125 C15.5266504,17.28125 16.15625,16.6516504 16.15625,15.875 L16.15625,8.95486111 L1.84375,8.95486111 Z\"\/><\/svg>Jul 20, 2020<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n<p><strong>Book Chapters<\/strong><\/p>\n\n\n\n<p>Yunis, A (2022),&nbsp; \u201cNujoom Al Ghanem, Heritage in Motion\u201d <em>Arab Documentary<\/em>, Viola Shafik (Ed.), American University of Cairo Press.<\/p>\n\n\n\n<p>Cappelletto, N.A. (2022) &#8216;Imperatives, Aesthetics and Paradigms of Care&#8217;, in <em>The Afterlives of the Postcolonial<\/em>, Sharjah Art Foundation.<\/p>\n\n\n\n<p>Yunis, A. (2021) \u201cKhaled Al-Siddiq, the Gulf\u2019s First International Filmmaker\u201d In <em>Oxford Bibliographies in Islamic Studies<\/em>. Ed. Natana DeLong-Bas. New York: Oxford University Press.<\/p>\n\n\n\n<p>Yunis, A &amp; Hudson, D (Eds, 2021) \u201cFilmmakers of the Gulf &amp; Jordan,\u201d <em>Historical Dictionary of Middle East<\/em>, Eds. Terri Ginsburg &amp; Chris Lippard, Rowman &amp;Littlefield, New York.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"1024\" data-id=\"2080\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cover-book-Cropped-738x1024.png\" alt=\"\" class=\"wp-image-2080\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cover-book-Cropped-738x1024.png 738w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cover-book-Cropped-216x300.png 216w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cover-book-Cropped-768x1065.png 768w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cover-book-Cropped.png 1092w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"333\" height=\"499\" data-id=\"2048\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Reorenting-Book-Cover.jpg\" alt=\"\" class=\"wp-image-2048\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Reorenting-Book-Cover.jpg 333w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Reorenting-Book-Cover-200x300.jpg 200w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" data-id=\"2081\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Ro-Book-Jacket.jpg\" alt=\"\" class=\"wp-image-2081\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Ro-Book-Jacket.jpg 640w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Ro-Book-Jacket-300x300.jpg 300w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Ro-Book-Jacket-150x150.jpg 150w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Ro-Book-Jacket-600x600.jpg 600w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"666\" data-id=\"2083\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-1024x666.jpeg\" alt=\"\" class=\"wp-image-2083\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-1024x666.jpeg 1024w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-300x195.jpeg 300w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-768x499.jpeg 768w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-1536x999.jpeg 1536w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-2048x1332.jpeg 2048w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Honduras-Aramco-2000x1301.jpeg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>Book Chapters<\/strong><\/p>\n\n\n\n<p>Yunis, A (2022),&nbsp; \u201cNujoom Al Ghanem, Heritage in Motion\u201d <em>Arab Documentary<\/em>, Viola Shafik (Ed.), American University of Cairo Press.<\/p>\n\n\n\n<p>Cappelletto, N.A. (2022) &#8216;Imperatives, Aesthetics and Paradigms of Care&#8217;, in <em>The Afterlives of the Postcolonial<\/em>, Sharjah Art Foundation.<\/p>\n\n\n\n<p>Yunis, A. (2021) \u201cKhaled Al-Siddiq, the Gulf\u2019s First International Filmmaker\u201d In <em>Oxford Bibliographies in Islamic Studies<\/em>. Ed. Natana DeLong-Bas. New York: Oxford University Press.<\/p>\n\n\n\n<p>Yunis, A &amp; Hudson, D (Eds, 2021) \u201cFilmmakers of the Gulf &amp; Jordan,\u201d <em>Historical Dictionary of Middle East<\/em>, Eds. Terri Ginsburg &amp; Chris Lippard, Rowman &amp;Littlefield, New York.<\/p>\n\n\n\n<p><strong>Journal Articles and Conference Papers&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<p>Elfallah, A., and Cappelletto, N.A. (2023) &#8216;Khouzam\u2019s desert[ed] classics by Spina \u2018d\u2019oltremare\u2019, conference paper, <em>Classics and Italian Colonialism<\/em>, MUCIV.<\/p>\n\n\n\n<p>Wrisley, D.J., Gu\u00e9ville, E., and Cappelletto, N.A. (2022) &#8216;Creating New Audiences for Digital Objects Through Museum-University Collaboration,&#8217; in <em>Museums in the Middle East Journal<\/em>, Sharjah Museums Authority.<\/p>\n\n\n\n<p>Cappelletto, N.A. (2022) &#8216;Asmara as World Heritage Site,&#8217; conference paper, <em>VI ASAI Biennial Conference, <\/em>Urbino.<\/p>\n\n\n\n<p>Yunis, A &amp; Hudson, D (2021) Editors, Special Double Issue,<a href=\"https:\/\/brill.com\/view\/journals\/mjcc\/14\/1-2\/mjcc.14.issue-1-2.xml\"> \u201cFilm and Visual Media in the Gulf,\u201d <em>Middle East Journal of Culture and Communication<\/em>.<\/a> &nbsp;<\/p>\n\n\n\n<p>Yunis, A.&nbsp; (2019) \u201cCinema and the<a href=\"https:\/\/journals.openedition.org\/cy\/4218?lang=en\"> UAE Road: Exploring Landscape and Collective Memory through Film,\u201d <em>Arabian Humanities<\/em> 11.<\/a><\/p>\n\n\n\n<p>Parthesius, R (2019) <em>The VOC trading routes at the time of Cosimo III, Conference: <\/em>A Princely Education: Cosimo III de Medici\u2019s travels through Golden Age Netherlands Global ambitions and local contexts. &#8211; Istituto Universitario Olandese di Storia dell\u2019Arte \u2013 NIKI Florence, University of Groningen. Florence,&nbsp; 6-8 Nov.&nbsp;<\/p>\n\n\n\n<p><em>\u201cUNARCHIVED STORIES AND ALTERNATIVE PERCEPTIONS OF SULTANAHMET ARCHAEOLOGICAL PARK, A UNESCO WHS<\/em>\u201d. 28th EAA Annual Meeting Budapest, Hungary 31 August &#8211; 3 September 2022 (online). Nurcan Yalman (Nisantasi University Istanbul Dept of History) \u2013 Sinan Cana (Ni\u015fanta\u015f\u0131 University Dept of Tourist Guiding)<\/p>\n\n\n\n<p><em>\u201cCHANGING POLITICAL PERCEPTIONS OF THE SULTANAHMET ARCHAEOLOGICAL PARK, A UNESCO WHS\u201d.<\/em> 28th EAA Annual Meeting Budapest, Hungary 31 August &#8211; 3 September 2022 (online). Sinan Cana (Ni\u015fanta\u015f\u0131 University Dept of Tourist Guiding); Nurcan Yalman (Nisantasi University Istanbul Dept of History)<\/p>\n\n\n\n<p><em>\u201cIMPORTANCE OF CULTURE-SPECIFIC MEANINGS OF TERMINOLOGY IN COMMUNITY-BASED STUDIES\u201d<\/em> EAA 2020 VIRTUAL 24-30 August. Nurcan Yalman (Ni\u015fanta\u015f\u0131 University, Istanbul. Department of History<\/p>\n\n\n\n<p><em>\u201cOther Stories: Over Histories of the Sultanahmet Archaeological Park. An alternative perception of a UNESCO WHS\u201d.<\/em> WEBINAR-open to public- in OUR WORLD HER\u0130TAGE: Opening up to civil society. Ni\u015fanta\u015f\u0131 University, Dhakira, CIE-Center for International Heritage Activities. 13 DEC 2021.<\/p>\n\n\n\n<p>Yalman. N. 2018. \u201cYa\u015fayan K\u00fclt\u00fcrel Emanetler. \u00c7ar\u015f\u0131lar ve Hikayeler:\u0130stanbul Kapal\u0131\u00e7ar\u015f\u0131\u2019n\u0131n K\u00fclt\u00fcrel Haf\u0131zas\u0131\u201d. Heritage in Context 2-Miras 4-Arkeoloji ve Turizm (edit\u00f6rler K. Piesker, B. Akan, D.G\u00f6\u00e7men, S.T. Altay). Deutsches Archaologisches Institut Abteilung \u0130stanbul. Ege Yay\u0131nlar\u0131 (pp 315-328).&nbsp;&nbsp;<\/p>\n\n\n\n<p>Soliman, A (2024).\u201d The Limits of Alterity: On Reading Ben Lerner\u2019s <em>Leaving the Atocha Station<\/em>.\u201d <em>International Journal of European Studies<\/em>.&nbsp;<\/p>\n\n\n\n<p>Soliman, A. (2023). \u201cMemories of the Migrant: Visual Expressions of Nostalgia in Sadik al Alfraji\u2019s Art\u201d.. 4th International Conference on Arts and Humanities, Human Mobility and Cultural Identities Conference. International Centre for Studies of Arts and Humanities (ICSAH).&nbsp;<\/p>\n\n\n\n<p>Soliman, A (2021). \u201cConservation of Street Art: An Act of Cultural Heritage or Art Sabotage?\u201d 21\u00aa Jornada de Conservaci\u00f3n de Arte Contempor\u00e1neo Publication. Reina Sofia Museum.<\/p>\n\n\n\n<p>Soliman, A. (2020).&nbsp; \u201c<a href=\"https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/count.2020.0188\" data-type=\"link\" data-id=\"https:\/\/www.euppublishing.com\/doi\/abs\/10.3366\/count.2020.0188\">An Encounter with an Image: Humberto Rivas in Madrid 2018-2019<\/a>\u201d. <em>CounterText<\/em>. Edinburgh University.<\/p>\n\n\n\n<p>Soliman, A. (2019). \u201cPina Bausch\u201d\/\u201cDegenerate Art\u201d. Modern Germany. ABC-Clio..<\/p>\n\n\n\n<p><strong>Magazine Articles&nbsp;<\/strong><\/p>\n\n\n\n<p><em>&nbsp;\u201c<\/em>The Slave Rebellion of Bahia, Brazil\u201d (forthcoming 2024), <em>Aramco World Magazine&nbsp;<\/em><\/p>\n\n\n\n<p>&nbsp;\u201cA Land and a Camera: The Legend of Sami Kafati\u201d, <em>Aramco World Magazine<\/em><\/p>\n\n\n\n<p>Soliman. A (2022).&nbsp; \u201cHeritage and War: The Theft and Return of the Mask of Warka\u201d. Babel Cultural Organisation Stolen Objects Stories. <a href=\"https:\/\/babel-cultural-organization.com\">https:\/\/babel-cultural-organization.com<\/a>&nbsp;<\/p>\n\n\n\n<p>&nbsp;Yunis, A (forthcoming, 2023) \u201cHidden Kingdoms of Alula: Hegra\u2019s Tombs,\u201d <em>National<\/em> <em>Geographic<\/em> (online and magazine)<\/p>\n\n\n\n<p>&nbsp;Yunis, A (2022).<a href=\"https:\/\/www.aramcoworld.com\/Compilations\/2022\/September-October-2022\/Mango-The-Emperor-s-New-Fruit\"> \u201cThe Emperor\u2019s New Fruit,\u201d<\/a> Aramco World Magazine.<\/p>\n\n\n\n<p>&nbsp;Yunis, A (2021) \u201c<a href=\"https:\/\/www.aramcoworld.com\/Articles\/April-2021\/Preserving-Arabia-s-Bedouin-Poetry\">Preserving Arabia\u2019s Bedouin Poetry.\u201d<\/a> Aramco World Magazine&nbsp;<\/p>\n\n\n\n<p>&nbsp;Yunis, A (2021). \u201c<a href=\"https:\/\/www.joaoroqueliteraryjournal.com\/nonfiction-1\/2021\/7\/31\/remembering-how-to-look-on-the-train-to-baghdad\">How to Look Good on the Train to Baghdad,\u201d<\/a> <em>Jo\u00e3o Roque Literary Journal<\/em><\/p>\n\n\n\n<p>Yunis, A (2020). \u201c<a href=\"https:\/\/www.aramcoworld.com\/Articles\/March-2019\/dugong-sea-cow-sirenea\">Sirens of the Seagrass,\u201d<\/a> Aramco World Magazine.<\/p>\n\n\n\n<p>&nbsp;Yunis, A (2019) \u201cThe Hidden Heritage of Cape Town\u2019s Kitabs,\u201d <em>Aramco Magazine.<\/em><a href=\"https:\/\/www.aramcoworld.com\/Articles\/March-2019\/The-Handwritten-Heritage-of-South-Africa-s-Kitabs\"> <em>Cover Story.<\/em><\/a><\/p>\n\n\n\n<p>&nbsp;&nbsp;Yunis, A (2019) \u201cPalette in White\u201d The heritage of cheese.<a href=\"https:\/\/www.aramcoworld.com\/Articles\/November-2019\/A-Palette-in-White\"> <em>Cover Story.<\/em><\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"1024\" data-id=\"2085\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/South-Africa-Aramco-775x1024.jpeg\" alt=\"\" class=\"wp-image-2085\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/South-Africa-Aramco-775x1024.jpeg 775w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/South-Africa-Aramco-227x300.jpeg 227w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/South-Africa-Aramco-768x1015.jpeg 768w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/South-Africa-Aramco-1162x1536.jpeg 1162w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/South-Africa-Aramco.jpeg 1313w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"793\" height=\"1024\" data-id=\"2084\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cheese-Aramco-793x1024.jpeg\" alt=\"\" class=\"wp-image-2084\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cheese-Aramco-793x1024.jpeg 793w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cheese-Aramco-232x300.jpeg 232w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cheese-Aramco-768x991.jpeg 768w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cheese-Aramco-1190x1536.jpeg 1190w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/02\/Cheese-Aramco.jpeg 1376w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" data-id=\"2370\" src=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/03\/Book-CoverDocumentary-Filmmaking-Book-Cover_0f8503f3-bf74-4044-98f1-8d7103a23096.64ceb2fe184397d264a3f5924152f07b.jpeg\" alt=\"\" class=\"wp-image-2370\" srcset=\"https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/03\/Book-CoverDocumentary-Filmmaking-Book-Cover_0f8503f3-bf74-4044-98f1-8d7103a23096.64ceb2fe184397d264a3f5924152f07b.jpeg 768w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/03\/Book-CoverDocumentary-Filmmaking-Book-Cover_0f8503f3-bf74-4044-98f1-8d7103a23096.64ceb2fe184397d264a3f5924152f07b-300x300.jpeg 300w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/03\/Book-CoverDocumentary-Filmmaking-Book-Cover_0f8503f3-bf74-4044-98f1-8d7103a23096.64ceb2fe184397d264a3f5924152f07b-150x150.jpeg 150w, https:\/\/heritagelab.center\/wp-content\/uploads\/2024\/03\/Book-CoverDocumentary-Filmmaking-Book-Cover_0f8503f3-bf74-4044-98f1-8d7103a23096.64ceb2fe184397d264a3f5924152f07b-600x600.jpeg 600w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The HeritageLab researchers bring together research data from multiple heritage sites to connect landscapes and reveal deeper heritage narratives. Together, these data offer a broader vision of research outputs. The members of HeritageLab research and publish in various venues, from academic presses to commercial magazines and blogs. Below is a selection of more recent publications. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/heritagelab.center\/index.php\/research\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;Publications&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":351,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-19","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":39,"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":2371,"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/pages\/19\/revisions\/2371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/media\/351"}],"wp:attachment":[{"href":"https:\/\/heritagelab.center\/index.php\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}